Perhaps the best thing about Kung Fu Panda is that it's an action comedy that doesn't skimp on the action. Dreamworks Animation's latest effort may stick out a little on the Red Carpet at Cannes -- where it's screening out of competition -- but it's certainly a well-made kid's film that earns high points for how directors John Stevenson and Mark Osborne clearly crafted and contemplated its look and feel with ambition and style. Anyone can make a computer-animated cartoon with fuzzy animals doing kung fu; you have to be at least a little inspired to make a computer-animated cartoon featuring fuzzy animals doing kung fu in widescreen Cinemascope. ...

Kung Fu Panda opens with a rousing, stylish action sequence, as a narrator (Jack Black, in full-on Tenacious D exposition mode) explains how "Legend tells of a legendary kung fu warrior whose kung fu skills were legendary. ..." But then, the heroic panda we've seen unleashing paws of power on the big screen ... wakes up; it was just a dream. Then Po the panda (Black), whose dreams of kung fu glory are the counterpoint to his unsatisfying life, gets ready for his day of helping his father Mr. Ping (James Wong) sell noodles to the people of the Valley of Peace.

Waltz With Bashir, the first official trailer from cinemascopian.com on Vimeo.

An early Cannes favorite, Cinematical's Kim Voynar describes Waltz with Bashir as a "beautiful, disturbing and deeply compelling film" that "could wind up with an Oscar nod come January." The animation looks stunning (love the gold in those beach scenes), and I'd definitely agree with Spout's Karina Longworth who calls it "Grand Theft Auto: Beirut, Meets A Scanner Darkly" in the title of her post showcasing the trailer above. More from Kim's Cannes review: "Waltz with Bashir documents the struggle of the filmmaker, Ari Folman, to come to terms with the gaps in his memory surrounding the part he played in the first Lebanese war and the 1982 massacre of Palestinian civilians in the West Beirut refugee camps of Sabra and Shatila."

Whaddya think?

Wall-E Spotted in LA! from Blink on Vimeo.










[via Slashfilm]

The horrors of war and the atrocities of which humans are capable of have, of course, been documented extensively in film since the birth of the medium. From the recent slew of documentaries on the Iraq war to Atom Egoyan's controversial 2002 Cannes debut Ararat (about the 1915 massacre of Armenians in the Ottoman empire); from Schindler's List to The Killing Fields; from The Battle of Algiers to Apocalypse Now; from Ousmane Sembene's last film, Moolaadé (inspired by the genital mutilation of young girls in Burkina Faso) to The Devil Came on Horseback (a documentary chronicling the genocide in Darfur), recent cinematic history is filled with tales of human suffering, inflicted not by natural disasters, but by human beings upon one another.

Waltz with Bashir documents the struggle of the filmmaker, Ari Folman, to come to terms with the gaps in his memory surrounding the part he played in the first Lebanese war and the 1982 massacre of Palestinian civilians in the West Beirut refugee camps of Sabra and Shatila. Where Marjane Satrapi's Persepolis (to which this film will be inevitably, if somewhat inaccurately, compared) used stark black-and-white animation based on Satrapi's graphic novels to tell the history of one girl growing up during the Iranian revolution, Waltz with Bashir uses vivid, hand-drawn animation to bring to life interviews Folman conducted with friends who were involved in the Lebanese war in the early 1980s to bring to life harrowing memories of death, guilt and regret.

Imagine the above, with a round white boy (in, I hope, the same duds). Or one round furry dude panda.

It was inevitable, really. The Hollywood Reporter posts that Jack Black and Cee-Lo (of Gnarls Barkley) have covered Carl Douglas' "Kung Fu Fighting" for Black's upcoming Kung Fu Panda. At the very least, it should be a bit better than Chris Tucker's version for Rush Hour 3.

Cee-Lo says: "It was inspiring and an honor to have the opportunity to reintroduce the record to a brand new audience, sprinkled with a little of me on top." Meow! However, I really doubt that their cover will inspire young tykes unfamiliar with the song to find out that it's a Carl Douglas tune, and go out to hear more of his music. In reality, we can probably wait 10 years and then hear people say: "Hey, isn't 'Kung Fu Fighting' that Jack Black song?"

You can hear the track on May 27th by picking up the soundtrack or downloading it. As for the film, which also uses the voices of Angelina Jolie, Jackie Chan, and Dustin Hoffman, it's coming out on June 6.

While the creative bits of my brain are hoping for comic greatness, I'm thinking that this upcoming feature is one of those projects that holds a lot of promise, but falls under the weight of all the dreamed-of possibilities. The Hollywood Reporter posts that Fable Works is producing a new computer-animated feature called Cereal Heroes, which will get characters designed by Kim Possible's Stephen Silver.

David Meinstein is writing the script, which focuses on "cartoon cereal box-mascots who are mistakenly brought to life when a plan to replace the world's fallen superheroes with characters from comic books goes awry. They soon find themselves on the run in an unfamiliar world that only they can save from destruction."
My big question is whether they will be recognizable cereal heroes, fake cereal heroes, or faux replicas of cereal heroes? However, while the hopeful part of me would imagine that Silver's character designs would be for the other characters in the film, I imagine he'll be creating the cereal heroes. Getting the rights to all would be insanely expensive, but it would be free advertising, and probably the only obvious product placement that I could get behind. Can you imagine Snap, Crackle, and Pop bringing down baddies with Cap'n Crunch, Count Chocula, the Trix Rabbit, a certain Leprechaun, Tony the Tiger, and the rest?

The film is currently scheduled to hit screens in 2010.

Kidding? Yes, that's right, as in kids, young 'uns, rug rats. This week on Trailer Park, we're scoping out previews of movies that are for or about the kiddies.

The Rocker
Kid is a relative term, but the teens populating this comedy are kids from where I'm sitting. Probably best known for playing Dwight on NBC's The Office, Rainn Wilson stars as a washed up 80s rocker who was booted out of a succesful band right before they hit it big. Kind of like Pete Best but with spandex and big hair. His teenage nephew's band is playing at the prom and they need him to fill in. The gig goes well and Wilson's character ends up touring with the band. There's a definite hint of School of Rock, but Wilson is so appealing in the role that I've chosen to overlook that and the groin injury joke (a hokey device that is often a deal breaker for me). Here's what Erik thought of the trailer.

Both of the upcoming animated releases that aren't Wall-E or Space Chimps got new trailers yesterday. Here's one for Igor (and here's a link to the poster we premiered a few weeks ago), and here's one for Kung Fu Panda.

Kung Fu Panda looks like it'll be just a step or two above -- *shudder* -- Beverly Hills Chihuahua. Igor, on the other hand, looks like a charmer: the premise is inherently nerdy, requiring viewers to think back to the original Frankenstein films (or at least Young Frankenstein, or Van Helsing in a pinch) to get the joke, and the trailer has a few big laughs.

The biggest upside of Kung Fu Panda coming out on June 6th: those of us who frequent AMC Theaters will no longer have to endure the Kung Fu Panda-themed pre-movie interlude exhorting viewers to shut up. I'm not sure how many more times I can listen to Jack Black tell me that he can hear me texting before I have an aneurysm. But I guess I should be grateful AMC is no longer airing that horrid Three Doors Down "Citizen Soldier" video pimping the National Guard (because no one screams "role model" to teenagers like the lead singer of Three Doors Down). That thing gave me nightmares.

WALL-E v/s Hula Hoop
by DrMalo

One always wants to give an independently-produced animated feature a little extra kindness, seeing as how amazingly difficult it must be to get a CG feature produced in an industry dominated by Pixar, DreamWorks, and Fox. These movies are monumentally hard to create, even with the best experts and a boat-load of money, so imagine how tough it must be for a Canadian outfit like Snoot Entertainment. Debut effort from the feldgling company, Terra is certainly not a brilliant little experiment, but it sure is colorful enough to warrant a few peeks. Animation buffs will appreciate the film's lush landscapes -- but I'm wondering if the movie has that "kid appeal" that's the absolute lifeblood of CG features.

The plot kicks off in slightly familiar fashion, but then we're thrown a nice little curve-ball: Seems the planet of Terra is populated by these kind-hearted and really adorable tadpole-ish creatures. This species knows nothing of war or violence, so when a massive "something" appears in the sky, most of the Terrians mistake the presence for that of a "new god." (The movie touches on religion only tangentially, but also rather interestingly.) But it's not a god; it's an invading force. Obviously the viewer is expecting the invader to be some sort of horribly nasty creature, and in some ways it is: The invader is us.

It's only been a few months since we got Annie Leibovitz's last round of stunning Disney recreations, and now we're getting one more. After the likes of round one's Alice and Cinderella, and round two's Peter Pan and Aladdin, Julianne Moore is getting a little wet.

Above you can see the latest image in the Disney series, "Where Another World is Just a Wish Away," courtesy of Just Jared (check out some hi-res pics there). Moore is Ariel in the recreation, and you can spot Olympic swimmer Michael Phelps at the bottom. Talk about perfect casting! Leibovitz really knows how to bring these scenes to life, and again, I wish that we could have films that are this stunning from beginning to end. It would be a feat similar to the likes of the artists who worked on Sleeping Beauty, but I think it would be well worth it. Well, one can dream.

If you want to see how this whole shoot came together, check out the YouTube clip after the jump.

Saddle up! It's time for another edition of The (Mostly) Indie Film Calendar, a weekly roundup of movie stuff that's happening beyond the multiplexes. I've got my usual sources that I go to for info on things taking place in some of the major cities, but if you know of a cool event happening where you are, please let me know! You'll find me at Eric.Snider (at) Weblogsinc (dot) com. I'll leave the key under the doormat.

INDIE THEATRICAL RELEASES

• Deal is another gambling movie, this time about the World Series of Poker. It stars Burt Reynolds, Bret Harrison, and Shannon Elizabeth, and opens today on a few dozen screens nationwide (mostly L.A., NYC, Chicago, and of course Las Vegas).

• Then She Found Me, which has played at seemingly every film festival of the past six months, is the directorial debut of Helen Hunt, who also stars as a woman whose birth mother (Bette Midler) comes into her life just when it's at its most hectic. Cinematical's Ryan Stewart gave it a passing grade at Toronto last fall. It's in NYC and L.A. as of today.

• Roman de Gare comes to us from France, where the title is a term for popular, disposable novels (think John Grisham). Fittingly, the film is being described as a watchable but forgettable story about a mystery novelist who gets wrapped up in a real-life mystery. Opens today in NYC.

More theatrical releases, plus a city-by-city list of special events, after the jump....

Cinematical has just received this creepy (but oddly adorable) exclusive teaser poster for Igor (click on the image to enlarge), an animated film coming to us via The Weinstein Co. this September. Igor features the voice talent of John Cusack, Steve Buscemi, John Cleese, Eddie Izzard, Jennifer Coolidge, Molly Shannon, Jay Leno, Arsenio Hall ... it gets better ... and James Lipton -- playing himself! Talk about a voice cast sent from the comedy Gods! Igor is the story of a mad scientist's hunchbacked lab assistant whose greatest dream is to win the coveted first place award at the annual Evil Science Fair. This one looks like all kinds of fun -- I mean, look at that poster. Look at that face. How do you not love that face? How do you not want to take Igor home with you, cuddle up on the couch, watch a monster movie marathon and -- if time allows -- destroy the world? I know I do ...

Igor arrives in theaters on September 19.