If you're a fan of Red Road, and were itching for the next part of the trilogy, I'm sorry to say that this isn't it. (Is the trilogy plan even continuing?!) It is, however, the second feature for the film's director, Andrea Arnold. Variety reports that Artificial Eye has pre-bought the UK rights to her next film, Fish Tank.

Unfortunately, the piece then goes on to talk about Eye's other projects and executive info, rather than the film. So, we've got this mysterious second picture. However, thanks to the Internet, I can fill in a tiny hole at least. According to MoveThat.com, Arnold was/is looking for her female lead for the film. "We're looking for young looking, white 16-19 year old girls who speak with strong London/South East accents who have attitude and who can street dance. Female breakers, poppers, lockers, and krumpers all very welcome."

UK readers out there, you'll have to fill us North American folk in on the slang, but I think it's safe to say that this is going to be some girl-headed film about dancing. Unfortunately, because of the language request, it'll probably also have really annoying English subtitles that don't match up with the words like Red Road.

That's all Google is allowing me to find right now, but please comment below if you've heard anything else about this feature.

I spent three days at the very first Marfa Film Festival, plus two days in transit -- more than 1,000 hard miles of driving -- and it was worth every effort to get there; even the post-fest illness that felled me for an entire week. I saw wonderful outdoor screenings, enjoyed some good docs and short films, and witnessed the debut of two music videos directed by Heath Ledger. Oh, and met many friendly local residents, talented filmmakers, and visiting film lovers.

Located in West Texas, roughly halfway between El Paso and San Antonio, the town of Marfa (population 2121) has the rare distinction of being the setting for two recent films that won Academy Awards: No Country for Old Men and There Will Be Blood. Some of the sets for the latter film are still standing, and I traveled there on a sunny afternoon with a small group of intrepid friends over a bumpy, curving, tail-bouncing dirt road that stretched for miles across a ranch just south of town. After depositing our load of bottled water for the opening night reception that would begin a few hours later, we wandered around the fictional town of Little Boston.

As authentically aged and real as the buildings look, it's not a real town, of course, it's a set, meant to evoke Bakersfield, California, circa 1911. Check out the gallery for pictures of the Blood set, visiting filmmakers and other sights of the festival. Read on for more about the festival itself.

The deals are already flying fast and furious in Cannes. As befits an international marketplace, most of the action involves far-flung territories, but we're keeping an eye out for US distribution deals too. indieWIRE has a great round-up of the first day's activity, which includes the news that IFC Films has acquired distribution rights to two films.

Good buzz about 24-year-old Joshua Safdie's feature debut The Pleasure of Being Robbed began when it world premiered at SXSW in March. Somehow, the Cinematical crew missed seeing it (hey, we're only human, we miss things sometimes), but David Lowery at Spout raved: "It's pure cinema, and as such it's one of the best films I've seen this year." The comedy revolves around a kleptomaniac, played by co-writer Eleonore Hendricks, with a philanthropic streak. Pleasure is the only US title in the Director's Fortnight this year.

In 2005, Tom Hall declared: "There is not a more important filmmaker working today than Arnaud Desplechin." He previously made Kings & Queen and Esther Kahn, among other critically-acclaimed work. The French filmmaker's latest, A Christmas Tale (Un conte de Noël), features Catherine Deneuve, Jean-Paul Roussillon and Mathieu Amalric "in a contemporary family drama set in France." The film plays in Official Competition and has its first screening on Friday night before opening theatrically in France next week.

We'll have to wait to hear about IFC's specific plans for distribution.

But can Sisto deliver them from evil?

The Hollywood Reporter posts that Kristin Chenoweth is going to star with Jeremy Sisto in an upcoming indie drama called Into Temptation. And finally, a link in my brain is showing up on the big screen. News of Chenoweth (Running with Scissors), always makes me think of Sisto, the Chenowiths, and Six Feet Under, so it's about time the two were combined.

And just like the dead-filled show, this is far from an upper. "Chenoweth will play a suicidal prostitute who confesses to a priest her plans to end her life on her birthday. The priest (Sisto) then searches for her to intervene."

Firstly, I really like the idea of a priest getting emotionally involved with a story he hears during confession. It breeds a million possibilities, but really -- do we need a struggling stripper on the big screen YET AGAIN? I feel like a broken record saying this, but it keeps continuing, so how can I not? There's enough flipping strippers on the big screen, people. Use those creative juices of yours to come up with new material!

The film is written and will be directed by Patrick Coyle, and production begins next week.

This morning James and I and a couple thousand other press folks took in a screening of the Opening Film at Cannes 2008, Fernando Meirelles's Blindness, starring Julianne Moore, Mark Ruffalo, Danny Glover and Gael Garcia Bernal. You can check out James' review here, and tomorrow I'll be attending a luncheon/roundtable for the film. And in related Cannes news, Jack Black arrived at the 2008 Festival de Cannes in style. He's here to promote Kung Fu Panda, which premieres later in the week. Check out our gallery of Black and tons of panda bears down below.

Meantime, though, my take on Blindness is that it's ambitious and good, but falls short of being great. In part, I think, this is because the source material was challenging to adapt to a visual experience, but it's also due to some clunky expositional voiceover that detracts from the experience more than it adds. I don't want to be told how this or that person feels or reacts, I want to see it.

I'm fascinated by pre-production news that make the movie sound different each time. Just a few days ago, Monika Bartyzel told us about a report in Variety that A Good Old-Fashioned Orgy would begin production this month in North Carolina. Saturday Night Live's Jason Sudeikis was set to star as an immature 30-year-old man who enlists his friends to help him throw one last summer bash -- an orgy -- before his rich folks sell their vacation home in the Hamptons. Will Forte and Leslie Bibb will co-star. It sounded like a silly little SNL star vehicle with potential.

Now comes word from The Hollywood Reporter that Michelle Borth has joined Orgy, and the brief article describes it as an indie film with the premise that "eight friends, all heading into their 30s and all on the verge of major life changes ... decide to celebrate their last Labor Day together." So that makes it sound like a more serious-minded ensemble piece about aimless adults -- which, sadly, sounds like a thousand other indie dramatic comedies.

Borth is an immensely appealing actress -- not just because she was willing to strip down and push the limits in fictional televised sex on HBO's Tell Me You Love Me, but because she transcended the limitations of her character as written. I imagine that she was hired more for her thespian abilities than for her apparent lack of inhibitions, but she is an intriguing and sexy addition to the cast.

Apologies for the one-day delay, but, as it happens, the indie weekend charts changed in the interim. Early on Sunday, estimates compiled by Box Office Mojo indicated that Tarsem Singh's The Fall (Roadside Attractions) won the weekend, but when the figures were tabulated, Lloyd Kaufman's Poultrygeist: Night of the Chicken Dead (Troma) sneaked into the top position with a take of $10,624 at one theater in Manhattan. Ed Gonzalez of The Village Voice says the film "chronicles what happens when a fried-chicken shack goes up on a Native American burial ground" and called it "a predictably hit-and-miss yukfest."

Doug Pray's Surfwise (Magnolia) surged near the top, grossing $10,304 at another theater in Manhattan. The doc follows a doctor who abandoned his practice to become a surfer and live in a camper, packing along his wife and nine children. All 12 critics whose reviews are listed at Rotten Tomatoes were positive.

The Fall fell to third place, earning $8,845 per screen at nine locations. Reviews were mixed (57% positive, per Rotten Tomatoes), though even the naysayers acknowledged the visual beauty of the film. We've previously pointed to the trailer, posted exclusive stills and a clip, which definitely confirm this impression. In the words of our own Eric D. Snider, it is "a visually stunning fable where a man in a hospital tells a little girl a story, and that story is craaaazy."

Once again, Mondo Macabro gives us a taste of what they call "the wild side of world cinema" with this Indonesian scare-fest from 1979 that streets on May 27.

The wedding of a town leader's son in Indonesia is marred by what is believed to be black magic. The bride is overcome by nightmarish visions of skeletons, snakes and walking corpses and falls into a fevered state of dementia. Kohar, the groom, suspects that a woman named Murny is responsible, claiming that she loved him but he had no interest in her. What Kohar does not tell the angry mob is that he had seduced Murny, taking her virginity and promising to marry her, only to wed another. While Murny certainly has motive, she knows nothing of black magic -- but Kohar and the mob burn her house down and throw her off a cliff just the same. Her life is saved by an old hermit who encourages her to take revenge on those who tried to murder her. Since they accused her of black magic, the hermit figures "let's be all ironic and stuff" and trains Murny in the dark arts.

Before we Bronte devotees could really whine and cry about the casting (there's still Ellen Page in Jane Eyre for that), it ceases to be. According to Variety, Natalie Portman has dropped out of the upcoming Wuthering Heights, leaving the film rather lost without a Cathy Earnshaw. According to Portman's publicist, the actress had a scheduling conflict with another project, which has not yet been announced.

So now, Ecross executives and director John Maybury are on the hunt for a new Cathy. As of yet, there are no contenders to the role, so now is our chance! Speak up, Cinematical readers, and let us flood the Internet with suggestions. Personally, I want to go back in time and import teenage Kate Winslet, Helena Bonham Carter, Kate Beckinsale or Lena Headey. As I cannot, I'm at a bit of a loss. Keira Knightley merits exclusion because of having played Elizabeth Bennett, and I think there's a rule that you can only play one standard of English Literature. I'm being rather stuffy in looking only to the UK, but nothing could ruin this movie faster than a wonky accent.

Interestingly, we finally have a name for Heathcliff. According to the Variety article, Michael Fassbender is in advanced talks to play the famous heinous, yet oh-so-sexy hero. I have only seen him as Stelios in 300, but he's getting good buzz for Hunger. Count me in the "intrigued, and not opposed" category, I guess, until further notice. His casting will mean my sister will be first in line for a ticket, that's for sure.

We can still whine and cry about the casting, though. It is our right as Internet film geeks, and ones with Gothic tastes. Oh heck, let's just gush about the book! We'll have our own Bronte Day here.

It sounds like a prank. We would all like it to be one. But it seems to be legit.

The story comes from Screen Daily, who reports that S. Darko is being shopped around, with Fox already picking up the North American distribution rights. Touted as the sequel to the 2001 cult hit, the story picks up seven years after Donnie Darko left off. The youngest Darko, Samantha, is now 18 and abandoning her commitment to Sparkle Motion. She heads to Las Vegas with her best friend Corey, but the two are plagued with bizarre visions. I imagine they will involve a rabbit.

Richard Kelly, the original director, is in no way involved. Chris Fincher Fisher* will direct instead. Daveigh Chase, who played Samantha in the original, will reprise her role. It looks like she is the only one. The movie also stars Ed Westwick, Briana Evigan, and Justin Chatwin.

As to the big looming question of why, oh God, why, Simon Crowe of UK sales company Velvet Octopus says they're thinking of the children. "I think there is a new generation of cinema-goers who will be very excited to see this film."
Which generation came of age between 2001 and 2008? Why haven't they rented Donnie Darko? I am afraid these are questions to which Crowe has no answers. But he did quip, "Donnie's not in [the new film] but there are meteorites and rabbits."

Nothing is safe from the all mighty dollar, my friends. Nothing. Even when there is a pretty conclusive ending, there can always be a sequel. I'll leave you to think about that as I go pen my script for No Country for Old Men 2.

[via Empire]

*Very kind thanks to astute reader toad_stone for pointing out our egregious misspelling of director Chris Fisher's last name. Correction made, with our apologies. - Ed.

Welcome to another nutritious edition of The (Mostly) Indie Film Calendar, a weekly roundup of what's happening beyond the multiplexes in this great land of ours. If you know of something cool going on where you live -- a small film festival, retrospective, midnight movies, etc. -- let me know! You can find me at Eric.Snider (at) Weblogsinc (dot) com.

INDIE THEATRICAL RELEASES

• Frontiere(s) is a French horror flick whose history is almost as torturous as its content. It was supposed to be part of the After Dark series last fall, but its NC-17 rating made that impossible due to the contract that the After Dark people had with the theatrical venues. So now it's basically going straight to DVD -- but first it's being deposited in a handful of theaters today in New York, L.A., Denver, Seattle, Philly, Austin, and maybe a few other places. Cinematical's Scott Weinberg gave it a mixed review at Toronto last year.

• The Fall: Remember The Cell, that freaky Jennifer Lopez movie from 2000? I know I do! (I never forget a movie with a vivisected horse.) The director, Tarsem Singh, is back now with The Fall, a visually stunning fable where a man in a hospital tells a little girl a story, and that story is craaaazy. Opens in New York and L.A. today.

More indie releases and a city-by-city list of cool events after the jump....

I don't think it will be quite like the clip above, but we're about to get a new serving of William Tell. Variety reports that producers Fred Caruso and D. Constantine Conte are bringing Tell's story to the big screen in The Adventures of William Tell. Stunt coordinator and second AD Ian Quinn is going to make his directorial debut with the $60 million production, which was adapted from Friedrich von Schiller's play by Cornelius Schregle.

But here's the kicker, aside from probably hearing that super-speedy overture in a non-Lone Ranger setting -- it will star Charlie Chaplin's granddaughter, Kiera Chaplin. She will play Tell's wife in the film, although there's no word on who will play Tell himself. Now, we all know the music, but do you know the story? It's about the 14th century legend of a man who was forced to shoot an apple off of his son's head to win his freedom from some jerky Austrian occupiers. "The event is said to have triggered a rebellion by the Swiss against their Austrian rules and transformed Tell into a mythical freedom fighter." (... as well as one very sneaky and insidious song.) Production will start on the film this fall, with a release schedule for 2010.

You know, they say that you shouldn't go into business with family and friends. Yet many people still do, and many people also begin to take the advice to heart sooner or later. But what about people you meet in a support group? That sounds totally rational, doesn't it? Let's take it a bit further -- imagine you go into business with strangers you know all have anger issues. It sounds like hell in real life, but may make for a funny film on the big screen.

Variety reports that Heather Graham, Jennifer Coolidge, Matthew Settle (the cool art dad from Gossip Girl), and Amber Heard have signed on to star in a new black dramedy called Ex-terminators, which was written by Suzanne Weinert, and will be the feature directorial debut for Scrubs helmer John Inwood. So yes, this film will focus on "three women who meet in an anger-management therapy group and decide to form a traditional business using very untraditional methods."

This is feeling like one of those projects that could very easily be good, and just as easily be stereotypical and over-the-top bad. Whichever it ends up being, I imagine it will have a healthy dose of quirk involved, considering all the time Inwood has spent on Scrubs. Production began last week in Austin.

With five nominations, it looks like Superbad will be the star of the 2008 MTV Movie Awards, and its three jubilant male leads -- Michael Cera, Jonah Hill, and Christopher Mintz-Plasse -- deserve the kudos. But one major talent behind the whole affair has stayed relatively anonymous while these young up-and-comers bathe in the spotlight: Director Greg Mottola. The erstwhile independent filmmaker, responsible for some of the best installments of Arrested Developed and Undeclared, launched his career a solid decade before the rise of Judd Apatow with a charming little low budget comedy called The Daytrippers. Starring Stanley Tucci, Hope Davis, Liev Schreiber, Parker Posey and a host of other fantastic character actors, the film follows a wildly dysfunctional family over the course of a single day, as Davis, playing a worrisome housewife, tries to track down her unfaithful husband (Tucci).

Mixing warm humanity with pitch-perfect screwball timing, Daytrippers marked the sort of debut that told you a filmmaker had a big career ahead of him. After a modest premiere at the Slamdance Film Festival, it landed at Cannes, barely got a theatrical release and promptly vanished thereafter. Mottola turned to TV work, and slipped out of the film scene for a good ten years. These days, it's no easy task to track down Daytrippers on DVD -- you can nab second-hand copies on Amazon for decent rates, but not a single retail outlet carries it. Aside from the occasionally airings on cable, the movie has vanished.