There are a few classic films that I simply refused to rent while growing up, specifically for the reason that I knew I should see them for the first time on a big screen. Of these, I managed to see both 2001: A Space Odysseyand Blade Runnerin a theater, while others, such as Lawrence of Arabiaand Close Encounters of the Third Kind, were on television too often to ignore them on the small screen first. One film that I'm still dying to see in a theater is Terrence Malick's Badlands. A few years ago I actually went to a special screening of the film in Connecticut, but it was disappointingly (understatement) projected from a DVD copy. Then two months ago it played one show at NYC's IFC Center, but I had to miss it for another engagement.
As Jack Handey put it, "It takes a big man to laugh at himself, but it takes an even bigger man to laugh at that man." Crimewave is about that big kind of man, and his partner: two electrocutioners on a rampage. They prowl the streets in a truck with a hog-sized stuffed rat on top, with red light bulb eyes. The driver is Faron Crush, who looks like Paul Sorvino playing the Incredible Hulk. HIs sniggering partner Arthur (Brion "I'll tell you about my mother" James) wears a jumpsuit, fingerless leather gloves, and a flat leather cap the shape and color of a cow-chip. If you ever had a nightmare about Gallagher, that's what Arthur looks like. The two maniacs carry with them "a shocker," a killing-machine that has three settings: "Rat," "Man" and "Hero". And they have no motivation beside malice and sheer professionalism.
What happens when men in blue, sworn to protect and to serve, fly out of control? If we're lucky, we get a good movie out of it. If we're really lucky, we get a larger than life character to cheer and to fear. Are you feeling lucky, punk?
Keanu Reaves, of all people, will follow in the steel-toed shoes of some of cinema's finest as a cop who goes on an avenging rampage in David Ayer's Street Kings, which opens tomorrow. That made me reflect on my favorite out of control cinematic cops, men in blue who break free from the laws of god and man. Let us know who we missed in the comments section. But be nice, or we'll track you down and crack you over the head with a night stick.
Clint is so cool as Harry Callahan that he can just glare at bad guys and they give themselves up. Dirty Harry never met a criminal he couldn't beat up, a sergeant he couldn't hate, or a partner he couldn't get killed. He can't help it: he married justice a long time ago and the blind old bat won't leave him alone until he takes out the garbage. Don't even think about getting in his way: he solved the Zodiac killings in 102 minutes! Dirty Harry paved the way for several sequels and countless gruff, lone wolf outlaw police detectives.
Now that Blu-ray will officially take over the HD market with regards to DVDs, it's about time you pick yourself up a player. You'll find, though, that once you purchase a Blu-ray player, the DVDs are crazy expensive. Some, like massive special editions, cost up to $40-50. I'm sorry, but that's a lot of money for a movie. In fact, ever since receiving my Blu-ray player (in the form of PS3) back at Christmas, it took me forever to purchase my first Blu-ray DVD. That film came this past weekend when I splurged and picked up I Am Legend (for a whopping $35!). Ah, but now, Amazon has a wicked deal for those of you who desperately want more Blu-ray DVDs, but don't have the money to shovel out.
Right now, Amazon is running a buy two, get one free on a lot of their Blu-ray discs. Better yet, the discs are already on sale. For example, the Blade Runner (Five-Disc Complete Collector's Edition), originally priced at $40, is now only $27.95. You can even get 300 on Blu-ray for $23. Throw both of those in your queue, and you get to pick out one Blu-ray DVD for free! Not a bad deal if you ask me. Some of the DVDs they're offering on Blu-ray include Monty Python's Life of Brian ($19.95), The Departed($23.95), Unforgiven ($19.95), Reservoir Dogs ($20.95),First Blood ($20.95) and a whole lot more. So check it out and have a blast -- you have until April 18.
Among my favorite film books is Michael J. Weldon's two-volume "Psychotronic" film guide. The first was published in 1983 and the second in 1996 (Michael hopes to publish a third at some point). Unlike Leonard Maltin's annual book, Weldon doesn't update an existing guide; each new guide is an entirely new volume. If you want to read about Halloween, you need Vol. 1 and if you want to read about Halloween 4, you need Vol. 2. A "Psychotronic" movie can be fairly easy to define. It's basically any of the "lower" film genres, dealing with the more questionable elements of society: horror, sci-fi, bikers, strippers, superheroes, zombies, kung-fu, vampires, comic books, drugs, sex, action heroes, rock 'n' roll, midnight movies, monsters, witches, cults, serial killers, magic, time travel, robberies, heists, contract killers, gladiators, Spaghetti Westerns, mad scientists, murder mysteries, pimps, voyeurs, etc.
The man fanboys (and girls) love to hate has landed another comic book property.
Variety reports that Paramount has purchased the rights to Jim Shooter's Harbinger, with an eye to giving Brett Ratner the franchise. He's looking for the chance to start a franchise from scratch -- and probably regain the goodwill of comic fans everywhere.
Harbinger is a story about superpowered people, humans who are the next stage in evolution. But unlike the mutants of X-Men, their powers must be activated by the Omega Harbinger. The series follows one Harbinger teen, Peter Stanchek, as he teams up with others to bring down Toyo Harada, the Omega, who has used his powers to slowly conquer the world. I think it's pretty much faded into obscurity, though at one point, it was popular enough to boast a Frank Miller cover on one of the issues.
Will the Harbinger fans be up in arms at the choice of Ratner? Will people just be annoyed in general, X-Men 3: The Last Stand being too dreadful a sin to be forgiven? Or will this be his way back into the fold? I know what annoys me -- producer Alexandra Milchan'sBlade Runner comparison! "The movie is in the vein of a young Blade Runner, as this 17-year-old gifted kid helps other kids tap into these parts of their brains." Has no one in Hollywood actually sat down and watched Blade Runner?
As the son of an illustrator, I grew up appreciating movie poster artists more than probably do most movie geeks. And John Alvin, who passed away last Wednesday, was one of the artists I idolized. Alvin is considered one of the most important poster artists of the past 35 years, and it's no wonder. From E.T. to Gremlinsto Blade Runner to The Goonies* to numerous Disney films, his art is as recognizable and iconic as poster design gets. The Smithsonian even named one of his works, for Brian De Palma's Phantom of the Paradise, one of the best posters of the 20th century.
His name may not be as familiar as that of Drew Struzan, another well-known movie poster designer whose work is quite similar. And it isn't that strange to (as I did often in my youth) confuse the work of the two illustrators, both of whom attended the same school as my father, Pasadena's Art Center College of Design, and both of whom worked for many of the same clients and for many of the same films. But there's no doubting that Alvin, who got his start with the poster for Mel Brooks' Blazing Saddlesand worked on many of Brooks' film campaigns from then on, was a distinctly innovative artist.
In addition to designing original posters for more than 135 films, Alvin produced art for many special edition and anniversary releases, as well as collector's art for popular movies such as Star Wars, The Lord of the Ringsand Pirates of the Caribbean. There's probably a good chance that, if you're a real movie geek, you have something of his hanging up in your room or home. I think the closest thing for me is a Blade Runner t-shirt on which his poster art appears. And, of course, I can see a bunch of his talent clearly when looking over at my DVD collection*.
For a good list of his work, check out the filmography on his Wikipedia page, and for a fairly comprehensive look at images of his posters, check out this fan site.
*I just realized that the poster for The Goonies that I'm most familiar with, and which is on my DVD, is the one by Drew Struzan. Oops.
Mermaids don't need cars, which must be the reason that Daryl Hannah is auctioning off her 1983 Chevrolet El Camino. And you can bid for it on eBay! Sure, it's not the same as having a car that appeared in a movie, but you'd still be buying a car that you can say was driven by Pris from Blade Runner. Plus, you can make a copy of that photo of her and the car and tape it to the dashboard. But why else might you want the thing? Well, it runs on biodiesel, which means it's better for the environment than whatever you're driving. Don't know anything about biodiesel? Don't worry: Hannah is throwing in a resource guide and a fueling station that's said to be about the size of a garbage can.
Apparently Hannah has been trying to sell the car for a couple months now, but this is its first time on eBay. According to Ecorazzi.com, it wasn't a matter of not being able to sell the car; rather, she had too many inquiries and couldn't figure out a better way to make a deal than to auction the car off fair and square. You have until Friday evening to attempt to reach the actress' reserve, which must be more than $9,700.00, since that's the current bid as of this writing. So, what do you think? Interested? Then do as Roxanne, I mean Elle Driver, I mean Daryl Hannah says: "woo hoo! kick oil! no war required... 2 see more about bio-diesel + the el camino - ... go 2 dhlovelife.com ... so get up and get off the fossil fuels!!!"
'Tis the season to get away from your family, bundle up with a gallon of moonshine (preferably one with "XXX" written on the label), and watch endless hours of movies! What follows is not a comprehensive or "Best Of" list. These are simply seven DVD box sets that any film buff would be thrilled to find in his or her stocking this Christmas. Most of them were released in the past few months, and a couple have been out a while but just got amazingly cheap. Have a few gifts left to buy? Consider picking one of these up. You don't even have to get off your fat ass, if you click on the titles you'll be taken to the links on Amazon. I've included items to suit every budget, and they've been arranged in order of price. Naturally, the more expensive the set you purchase, the more you love the person you're buying it for. That's just the way it works.
Pretty much the gold standard for DVD box sets. This collection's price recently took an incredible drop. It was worth every penny of the $80 bucks I paid for mine years ago, so you can better believe it's worth $34. The set gives you several versions of each film in the beloved Alien series -- Alien (one of the best suspense movies ever made), Aliens (one of the best action movies ever made), Alien 3 (David Fincher's misunderstood take is a stronger movie with each viewing), and Alien: Resurrection (Nobody's perfect). An unprecedented amount of extra goodies that includes the amazing Director's Cut of Aliens, extremely cool fold-out packaging, and the absence of Alien Vs. Predator make this set a must-own. I've owned it for four years, and still haven't seen everything in there. Plus, don't you just love the word "Quadrilogy?"
Balls of Fury Does anything more need to be said other than that Balls of Fury is a ping pong action movie co-starring Christopher Walken? Frankly, that's enough for me. But if you happen to be a Bruce Lee fan, the fact that it's a spoof of Enter the Dragon may entice you. The comedy details a former Pong phenom called Randy (Dan Fogler), who is sent on a special mission to nab his father's killer, Feng -- who just so happens to be played by Walken. With Maggie Q and a spiritual guide, Randy gets back into ping pong shape and heads to Feng's jungle compound and his ping pong tournaments.
This DVD includes an alternate ending, a small serving of deleted scenes, a comedy bit about, erm, ball handling, and a "Making Of" featurette that includes cast and table tennis guru Wei Wang, who also helped out this year's other ping pong movie, Ping Pong Playa.
Blade Runner It has been 25 years since Blade Runner first hit theaters, and now we're getting one hell of an anniversary DVD gift just in time for the holidays. Originally stemming from the mind of Philip K. Dick, the film is a cyber-heavy vision of the future where replicants (human clones) are whipped up to work on colonies outside of Earth. However, when some escape and head to the planet, Deckard (Harrison Ford), a cop and replicant terminator, must put aside his visions of retirement and stop them. The flick also starred the likes of Rutger Hauer, Sean Young, Edward James Olmos, and Daryl Hannah -- and of course, it's one of the biggest and most loved sci-fi films to hit the screen.
Fans can choose one of 3 main sets -- the 2-Disc Special Edition, the 4-Disc Collector's Edition, or the mack daddy of collections: The Ultimate Collector's Edition. The 2-Disc set offers Ridley Scott's new, final cut of the film with three commentaries, plus a feature-length documentary on the film's creation. If that's not enough, you can up it two more discs and also get all the different cuts -- theatrical, international, and director's, as well as another disc with 90 minutes of rare footage and featurettes. Finally, you can add one more disc and store it all in a sweet, metal case. The extra DVD shares a "Workprint Version" that changes things up a bit (such as no Deckard narration and no happy ending) and includes one more featurette and commentary.
The newly restored and, at long last, director-approved final cut of Blade Runner is playing in theaters in New York City and I had the chance to see it with an audience a couple of nights ago. My initial reaction was relief that the dreaded voice-over was completely absent, as it should be. Once I was able to settle into my seat without having to hear "the charmer's name was Gaff" I knew the rest would be gravy, and so it was. I'm happy to report that this restored print of the film looks completely amazing -- the restoration is as clean and clear as any I've ever seen.There have even been some touch-ups and a bit of re-shooting, although to what purpose I don't know. The new end credits give a big thank-you to Joanna Cassidy for agreeing to do some kind of re-shoot work, but if no one ever told me it had been done, I'd never know, so it must be some little thing that had been eating away at Ridley Scott.
This final cut isn't just a restoration of the visuals, though -- it's a plot restoration as well, and one that I find completely stupid and unnecessary. If you don't know what I'm talking about, then I don't know where you've been for the last twenty years, so I have no compunction about spoiling it for you. Ridley Scott feels that Deckard, Harrison Ford's Philip Marlowe of the future, is a replicant, just like the replicants he's chasing. It was always his prerogative to think this, even though it doesn't fit into the framework of the story, but now he's made his interpretation of it the definitive one. Instead of the film ending with Deckard spiriting Sean Young to safety in the woodsy wherever, he now learns that a vision that had haunted his dreams, of a galloping unicorn, is known to his fellow Blade Runners. They know he's a replicant, and they'll be coming for him. As this realization dawns on Deckard at the end of the new cut, he grabs Sean Young and slams the door closed -- smash cut to end titles.
Oh, Taryn Manning. Sure, she occasionally tackles a different role here and there, but for the most part, she's made her career on a mixture of cinematic drugs, sex, and hooking over and over again. It's gotten to the point where you kind of wonder if that's what her career will amount to. But maybe it'll change now that's she trading in the needles for some flashy robotics. She is co-starring with Bill Pullman in the recently-wrapped Your Name Here, which Cinematical first told you about last year. (Note: The Matthew Wilder who wrote and directed this film is not the music guy.)
It's sort of a biography of Philip K. Dick, but it's being done sort of like Fur -- using his writing and fake world rather than being a straight-out biopic. (Pullman's name in the movie is William J. Frick.) MTV recently talked with the actress and got the scoop on the movie, which is currently being submitted for next year's Sundance. She plays Nikki, who is based on Victoria Principal (the woman Dick wanted to play the lead in Blade Runner).
As Manning describes it, Frick is "infatuated with my character... she starred in that movie Earthquake, and he is obsessed with her even though he has a wife. All around his office you see pictures of me. One day, he does a huge line, and the next thing you know he's in the back of a limo, and there I am!" Well, there she is as a robot. Manning says Frick "can't tell if it's a dream or I'm really there, and the next thing you know, I'm taking him into my world. [He thinks] we're going to live happily ever after." It's zany enough that it could actually be entertaining, and if Taryn is believed, it will be: "It's deep; the writer is great; and it's kooky. I think it'll be another cool cult movie."
Al Drebin (c.1918-2007) - Owner of Budget Films, an archive company that supplies footage to films, television shows and humanitarian projects. He died of heart failure September 18, in Los Angeles. (Variety)
Edith Campion(1923-2007) - Poet, actress and mother of filmmakers Anna Campion and Jane Campion. She appears in the former's 1989 short The Audition and in the latter's 1990 feature An Angel at My Table. She died September 16 in Otaki, Manawatu, New Zealand. (ABC Radio Australia)
Mark Copeland(1962-207) - Steadicam operator for The Gravedancers, National Lampoon's Pucked, The Ultimate Gift and the upcoming The Key Man. He died in a helicopter crash September 11, in Sarasota, Florida. (CBC-Raleigh)
Joel Fein(c.1944-2007) - Oscar-nominated sound mixer for The Buddy Holly Story. He was also a recording sound mixer for Blade Runner and Fletch Lives and the restorations of Bridge on the River Kwai and Spartacus. As a sound re-recording mixer, he worked on Back to the Future II, Midnight Run, The Hard Way, Ghost Dad and Gary Sinise's Of Mice and Men, and as a score mixer, he worked on Bachelor Party. Later in his life he concentrated on television work, for which he won an Emmy and was nominated twice more. He died September 22 in Wichita. (The Wichita Eagle)
Alice Ghostley(1926-2007) - Character actress (pictured) best known for her television roles on Bewitched and Designing Women. She is familiar to Grease fans as the film's automotive shop teacher, Mrs. Murdock. She also appears in The Graduate, To Kill a Mockingbird, The Flim-Flam Man, The Odd Couple II and as herself in the documentary Broadway: Beyond the Golden Age. She died of cancer September 21, in Studio City, California. (NY Times)
I miss many things about living in New York -- the people, the restaurants and bars, Central Park, the smell of baked ass that overtakes the city this time of year (OK, not that last one). But what I miss the most has got to be the film "scene." Getting a coffee and taking the subway to a movie on a Sunday morning always filled me with happiness. NYC also puts on one of the best film festivals in the country -- the cleverly named New York Film Festival. Showcasing 28 films, the fest will be held this year at Frederick P. Rose Hall in the Time Warner Center. Screenings are set for September 28 through October 14th, and this year's lineup is a real doozy. It includes new films from Sidney Lumet (Before the Devil Knows You're Dead, with Ethan Hawke and Philip Seymour Hoffman), Catherine Breillat (The Last Mistress, just grabbed by IFC), Todd Haynes (I'm Not There, his Bob Dylan movie), Abel Ferrara (the promisingly titled Go-Go Tales, starring Willem Dafoe), Noah Baumbach (following up the excellent Squid and the Whale with Margot at the Wedding), the ascotted Peter Bogdanovich (profiling one of my favorite bands with Tom Petty and the Heartbreakers: Runnin' Down a Dream), and Brian DePalma (an Iraq war drama called Redacted).
Wes Anderson's new film (can't wait!) The Darjeeling Limited will open the NYFF. The Coen Brothers' new one No Country for Old Men (really really can't wait!) will be the "centerpiece" of the festival. And Cannes '07 jury prize-winner Persepolis, an "animated coming-of-age" story directed by Marjane Satrapi and Vincent Paronnaud, will close the fest. Also showcased will be Cannes favorites like Gus Van Sant'sParanoid Park, Julian Schnabel's French-language The Diving Bell and the Butterfly, and Palme d'Or winner 4 Months, 3 Weeks and 2 Days. In addition, there will be five classic films screened, including John Ford's first major film -- The Iron Horse. Probably the most anticipated of that bunch is Ridley Scott's "definitive cut" of Blade Runner, in honor of that film's 25th anniversary. An evening called "The Technicolor Show" should be a major attraction, as it's introduced by Martin Scorsese. Head over to Yahoo Movies for the full roster.
I was able to catch up with Sean Young during the special Blade Runner: The Final Cut DVD event where she says the rumors about her and Harrison Ford not getting along on set are false, talks about some upcoming projects, and wants to get back on the A-list.
She also wants to return to comedies like Ace Ventura, and wouldn't mind meeting guys like Will Ferrell. Will, are you watching? Maybe she needs to star in a Quentin Tarantino comeback vehicle as a leather-clad vixen who offs loud cell-phone talkers or something. I'm just saying.
Anyhow, check out the video above, and let us know what you think would be Sean's best shot at climbing back up the alphabet onto the fabled A-list.
There are a few classic films that I simply refused to rent while growing up, specifically for the reason that I knew I should see them for the first time on a big screen. Of these, I managed to see both 2001: A Space Odyssey and Blade Runner in a theater, while others, such as Lawrence of Arabia and Close Encounters of the Third Kind, were on television too often to ignore them on the small screen first. One film that I'm still dying to see in a theater is Terrence Malick's Badlands. A few years ago I actually went to a special screening of the film in Connecticut, but it was disappointingly (understatement) projected from a DVD copy. Then two months ago it played one show at NYC's IFC Center, but I had to miss it for another engagement.
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Now that Blu-ray will officially take over the HD market with regards to DVDs, it's about time you pick yourself up a player. You'll find, though, that once you purchase a Blu-ray player, the DVDs are crazy expensive. Some, like massive special editions, cost up to $40-50. I'm sorry, but that's a lot of money for a movie. In fact, ever since receiving my Blu-ray player (in the form of PS3) back at Christmas, it took me forever to purchase my first Blu-ray DVD. That film came this past weekend when I splurged and picked up I Am Legend (for a whopping $35!). Ah, but now, Amazon has a wicked deal for those of you who desperately want more Blu-ray DVDs, but don't have the money to shovel out.
The man fanboys (and girls) love to hate has landed another comic book property. 
As the son of an illustrator, I grew up appreciating movie poster artists more than probably do most movie geeks. And 
Mermaids don't need cars, which must be the reason that 
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Al Drebin (c.1918-2007) - Owner of Budget Films, an archive company that supplies footage to films, television shows and humanitarian projects. He died of heart failure September 18, in Los Angeles. (
I miss many things about living in New York -- the people, the restaurants and bars, Central Park, the smell of baked ass that overtakes the city this time of year (OK, not that last one). But what I miss the most has got to be the film "scene." Getting a coffee and taking the subway to a movie on a Sunday morning always filled me with happiness. NYC also puts on one of the best film festivals in the country -- the cleverly named New York Film Festival. Showcasing 28 films, the fest will be held this year at Frederick P. Rose Hall in the Time Warner Center. Screenings are set for September 28 through October 14th, and this year's lineup is a real doozy. It includes new films from 
