The most exciting news from Labor Day weekend at the box-office -- traditionally a slow period -- is that America seems to have caught on to the scam that Jason Friedberg and Aaron Seltzer have been running for... what is it now? Almost three years? (I'm not counting the Scary Movie franchise, which always retained some redeeming value despite their idiocy.) Anyway, their latest travesty, Disaster Movie, opened to $6.9 million over four days, just over a third of the (nearly identical to each other) first three-day weekends for Date Movie, Epic Movie and Meet the Spartans. Could that be the end of that?
Not that any of Disaster Movie's competitors did spectacularly better. The strongest of them -- the poorly-reviewed sci-fi flick Babylon A.D. -- only managed second place and a $12 million four-day. Don Cheadle's Traitor came in fifth with $10 million, which I actually think is robust for an barely-marketed film opening on just over 2,000 screens. College crashed and burned, landing outside the top 10 with $2.6 million. The best explanation is that there simply wasn't any reason to see it.
The holdovers did well. Mamma Mia!, now in its seventh weekend of release, continues to lurk in the bottom half of the top 10; its take actually grew compared to last weekend, even if you use the 3-day numbers. It's up to $133 million. The Dark Knight barely lost steam, going from fourth place to third and breaking the $500 million threshold. Vicky Cristina Barcelona also continues to do very well on under 700 screens. And of course, Tropic Thunder managed a third weekend atop the charts, leapfrogging past Pineapple Express.
It's difficult (and a little silly) to try and judge an entire quarter-year's movies in one lump sum -- but that's what we seem to do at the end of every Summer Movie Season. That's when all our excitement, expectations, and final reactions come colliding together and we find ourselves thinking: "Was I actually looking forward to that piece of crap for four months?" But to me, each summer is like a walk through a carnival: Some of the attractions dazzle me, others simply don't interest me, and a few are just a waste of tickets. But once early May rolls around, I'm always ready for another trip to the Hollywood Movie Carnival. (It's where you find all the tentpoles!)
So while I'm elated to greet the upcoming season of "prestige movies," there's little denying that we've had one hell of a good summer, cinematical-ly speaking. I'm not talking about box office grosses, because frankly that stuff is so unimportant. What matters is that we got some good flicks, a few pieces of mindless (yet well-made) popcorn adventures, and even a few great films that will enjoy a very long shelf life. So while I'm not exactly sure that 2008 represents the finest Summer Movie Season of all time, I'd definitely say it was more good than bad. But if you can think of a summer that was better than this one, you know where to throw your comments. (In the comments section.)
Considering the lengths to which the Tropic Thunder gang went to sell all of their Hollywood fakery, it comes as little surprise that the mock making-of Rain of Madness does exist beyond a mere trailer (embedded above, and probably not kid-friendly) and website. However, while I'm sure it'll be included on the eventual DVD, who's really going to wait that long when it's currently available as a free iTunes exclusive?
That's right: for thirty minutes and zero dollars (yep), one can follow filmmaker Jan Jürgen (co-writer Justin Theroux, acting as if making Werner Herzog's Werner Herzog were making Hearts of Darkness) as he chronicles the expensive chaos that went behind making the movie within the movie. Star/director/co-writer/probable caterer Ben Stiller explained in a recent press release: "We wanted to do a fake documentary about the making of the movie within the movie which is called "Tropic Thunder" -- not the actual movie "Tropic Thunder". The fake documentary focuses on the real movie's fake director, and what happens to the fake cast before they go into the real jungle. It's pretty straightforward."
Well, I know who I am. I'm the dude playing the dude currently downloading this S.O.B. Any of you who follow suit, share your thoughts below.
For those concerned commenters, I'm well aware that Werner Herzog did not, in fact, direct Hearts of Darkness. However, Mr. Theroux is behaving as if he were Mr. Herzog and, as such, proceeded to make a film not unlike the doc actually made by Fax Bahr and George Hickenlooper.
What I didn't know was how to directly link to any items made available through the iTunes store. I still don't, but I do appreciate the considerate ones below who were both helpful and tactful in passing the direct iTunes link on - namely, Niraj and not the exceedingly impatient Marcos.
There were no big surprises at the box office this weekend. To officially ring in the fall, it was the first weekend since April when no film debuted to more than $20 million. The best opener was the tolerably-reviewed Anna Faris vehicle The House Bunny, with $15.1 million. Interchangeable Jason Statham Movie, a.k.a. Death Race, followed with an estimated $12.3 million -- among Statham's weakest showings and the worst ever for director Paul W.S. Anderson (not counting the indie Shopping, which played on one screen).
Neither The House Bunny nor Death Race could dethrone Tropic Thunder, which held up fairly well to stay on top with a $16.1 million second weekend. It looks to have better legs than Pineapple Express, and should pass that film before all is said and done. In other holdover developments: The Dark Knightfell to fourth, but should reach $500 million by next weekend; Star Wars: The Clone Wars fell an unsurprising 60%+, and will top out around $35 million -- still not bad for a cartoon, I think.
Two more wide release debuts fared poorly. The Longshots -- the Ice Cube/Keke Palmer football drama directed by Fred Durst -- made a predictably tepid $4.3 million bow. But boy was I ever wrong about The Rocker, which was heavily advertised and promo-screened, but landed out of the top 10 with $2.8 million and an under-$1000 per-screen average. Color me surprised -- it's a decent flick, too. I guess Rainn Wilson not only can't open a movie, but affirmatively turns people off.
Hamlet 2 opened on 100 screens before going wide next weekend. Its $435,000 gross -- around $4,200 per screen -- isn't terrible, but doesn't inspire confidence for the expansion.
In a weekend glutted with new releases battling the aftershocks of The Dark Knight earthquake, Tropic Thunder debuted below expectations -- but well enough to steal the top spot from The Dark Knight in that film's 5th weekend. The R-rated comedy's $26 million weekend and $37 million 5-day was roughly on par with Pineapple Express' performance the previous weekend, but I think Tropic Thunder was predicted to have broader appeal. In retrospect, the advertising may have emphasized the film's inside-baseball aspects a bit too much.
Star Wars: The Clone Wars did okay in third place with $15 million -- weak for a purported Star Wars film, but not bad for a Saturday morning cartoon. The woeful Mirrors took in a relatively paltry $11 million, a wuss-out signaled by the 11th hour press screening cancellation. Contrast The Strangers, the summer's other major R-rated, non-Shyamalan horror film, which debuted to almost twice as much despite not having as nifty a high-concept.
The Dark Knight, meanwhile, continues to edge toward $500 million. Its 5-weekend total stands at $471 million, enough to top Star Wars' unadjusted numbers. Titanic still looks out of reach, even setting aside the apples-and-oranges aspect of comparing a 1997 release to a 2008 one.
Pineapple Express fell 57% in its second weekend, putting $100 million out of reach. On the other hand, Mamma Mia!continues to be popular, suffering drops of around 20% each week thanks to good word-of-mouth and likely repeat viewings.
Woody Allen's Vicky Cristina Barcelona came in at #10, with $3.7 million on 700 screens, Woody's second-best opening ever. Two spots below that, the poorly-reviewed 3-D spectacle Fly Me to the Moon made $2 million on 450 screens.
Self-serious superstar Tom Cruise pops up (nearly unrecognizably) in a supporting role in Ben Stiller's new comedy Tropic Thunder. Not much has been made of the performance in the press, but I for one think it represents a brilliant new land of opportunity for Mr. Cruise. Nothing makes a guy 'accessible' like a foul-mouthed and very funny performance in a surprisingly good comedy -- and all of those things apply here. I've always been pretty ambivalent about Tom Cruise -- I think he's an underrated actor and an overrated movie star -- but this is the first time he really "amazed" me since his shockingly raunchy (and quite excellent) performance in Paul Thomas Anderson's Magnolia.
At first I didn't even recognize Cruise in the film. I'd heard it mentioned that the actor had a supporting part in the flick, but I suppose I'd forgotten about it. When Cruise's character (a sleazy studio head called Les Grossman) first appeared on-screen, I was just sure it was a character actor named Enrico Colantoni. Not only because of the shocking resemblance -- but mainly because the guy playing the studio chief is drop-dead freakin' hilarious. The fact that I mistook Tom Cruise for Enrico Colantoni is a rather large compliment -- to Tom Cruise.
Coated with a bald-cap, a fat suit, and a thicket of wiry arm hair, Cruise powers through his scenes (mostly with Bill Hader and Matthew McConaughey) with tons of vulgarity, strangeness, and dancing. Yes, dancing. Frankly we've never seen Tom Cruise let his hair down in this wacky a fashion, and I'd like to thank Ben Stiller for making it happen. (When he's just an actor, Stiller's output can be distressingly inconsistent, but as a writer / director he's simply a lot more reliable. And infinitely funnier.)
So that's the discussion point for today: What did you think of Tom Cruise's work in Tropic Thunder? I'd see the flick again just for his X-rated telephone tirades. Bonus Topic: As amusing is he is, Cruise isn't even the funniest guy in the flick. That honor would go to Robert Downey Jr., who has earned himself one stellar summer of redemption. Good for you, Rob!
Welcome back to another edition of Insert Caption -- the game where you all race to the death to provide us with the best possible captions for photos from upcoming films. Last week we asked you to steal some of our thunder and shoot us your bestest captions for an image from Tropic Thunder. Luckily, we managed to choose three winners without staging a protest, and so congrats to you ... and you ... and you.
1. "They knew something had gone very wrong on the set of Alien 5 when, unexpectedly, Robert Downey Jr. popped out of the soldier's chest." -- Kurt P.
2. OK, this might not be the right time to bring this up ... but I'm pretty sure you still owe me for that last trip to IHOP." -- Jeremy C.
This week we're strapped in and ready to roll out with the ultra serious Jason Statham (for real, has anyone ever seen this guy smile?), who stars in the new flick Death Race (in theaters August 22). In the film, Statham stars as an ex-con who's forced by the warden of a prison to compete in a car race where severe road rage and the annihilation of your competitors is recommended. The drivers behind our three favorite captions this week will cruise away with one Death Race poster, one Death Race t-shirt, one Death Race tank top, and one Death Race hat. I'd tell you to use all that to create your own Death Race in the comforts of your home ... but something tells me that might not be the greatest idea. Sound off below!
As is usually the case when people and groups make a lot of noise over a film's perceived offensiveness, I suspect all the ruckus over a planned boycott of Tropic Thunder over its perceived treatment of people with mental disabilities has only served to give it additional publicity. Nonetheless, organizations such as The Arc are going ahead with plans to call for a boycott of the film. Slate has found the organization's instruction sheet for putting together protests of Tropic Thunder, a six-page bulletin suggesting techniques and talking points for mentally disabled self-advocates and supporters. Sample talking point: "Movies and media, like the movie Tropic Thunder, encourage disrespect of people with intellectual disabilities. We want that to stop!"
The whole thing is an interesting read. Ordinarily I'd say they haven't seen the film, but the organization claims that its leaders have had a chance to watch it and have concluded that "the film's depiction of people with intellectual disabilities is derogatory and demeaning." In that case, they've missed the point spectacularly. As others have argued, the film targets not the mentally disabled but Hollywood's infantile treatment of same. Simple Jack is a clever, incisive parody. And I say that as someone who thinks Tropic Thunder as a whole is pretty weak.
It's starting to look like the only way we're going to get the bats out of the top five is to call an exterminator. Chalk up another $26 million for billionaire playboy Bruce Wayne and his war on crime as The Dark Knight hangs on to first place for a fourth week in a row. Seth Rogen's stoner comedy came in respectably at second, taking in only $3 million less than the Batman Begins sequel. Here's the break down: 1. The Dark Knight:$26.1 million 2. Pineapple Express: $23.2 million 3. The Mummy: Tomb of the Dragon Emperor:$16.4 million 4. The Sisterhood of the Traveling Pants 2: $10.6 million 5 Step Brothers: $9.1 million
We've got four new releases this week:
Mirrors What's It All About: Directed by Alexandre Aja of High Tension fame, Mirrors stars Kiefer Sutherland as an ex-cop turned security guard who discovers something evil in the mirrors of an old museum. This scare flick is a remake of a Korean movie. Why It Might Do Well: Who doesn't like a good scare, and Sutherland is a strong lead who is familiar to millions thanks to his work on 24. Why It Might Not Do Well: The momentum for Asian horror remakes must be slowing by now, although every time I say that a new one pops up. Number of Theaters: 2,600 Prediction: $12.5 million
Whether or not you're offended by the use of the word "retard" in Tropic Thunder, it's hard to deny the difference between the intention of the humor and the ire of the groups protesting it. When Ben Stiller's character, Tugg Speedman, learns that he was mistaken in going "full-retard" with his miscalculated awards-bid performance as a mentally challenged man in Simple Jack, you either laugh or you don't, but you definitely get it. Stiller's point is that self-important actors often take crass or poorly formulated roles on the basis of subject matter simply so they can get a chance at the podium. At no point are we forced to laugh at a character meant to be taken as actually retarded; instead, we only get Tugg Speedman's really bad, really offensive interpretation of one.
At his Scanners blog, Jim Emerson gets this point, and smartly rails against complainers like the Special Olympics for making such a big deal out of a scene before even coming to terms with its purpose. He also brings up a brilliant historical parallel: In 1977, Randy Newman's single "Short People" was pulled from the air because it supposedly offended, uh, short people. "If you do satire or parody, you have to expect there will always be fools who will take it literally," writes Emerson. "Those people are called 'literalists.' And there ought to be a law against them."
Tropic Thunder, starring Ben Stiller as one of a group of runaway actors whose work on a big-budget Vietnam epic goes horribly awry, is a funny, far-fetched mockery of modern Hollywood; the laughs don't maintain anything like a coherent intensity, but when they come, they're big enough to get you through the spaces between them. Some will mistakenly call Tropic Thunder a satire, but Tropic Thunder is in fact an example of satire's boisterous, bumbling sibling, the spoof. A satire's held with a light but precise grip, so the point can slice and the blade can cut; a spoof's more of a club, landing with blunt force and broad impact.
Star and director Stiller attacked the celebrity-industrial complex before, in 2001's Zoolander, and Tropic Thunder has more in common with that film than you might think; Stiller manages to mock action and thrills while also delivering them, and he's got a fine grasp of coarse celebrity behavior. Stiller seems drawn to characters whose self-centered arrogance is mixed in equal measure with self-loathing insecurity. We see an interview clip where Stiller's character, box office star Tugg Speedman, is informed by an interviewer how "Someone close to you said 'One more flop and it's over for him.'" Speedman pauses, and then asks his follow-up: "Somebody said they were close to me?"
You know how they say the way to a man's heart is through food? Well, when you're an actor who's fallen from grace, then the way back into the hearts of your audience is through comedy. AND ... if you really want to go berserk, you choose a film that combines food and comedy! Wham! Welcome back to Hollywood Mr. Tom Cruise. Yup, The Hollywood Reporter tells us Cruise is enjoying all the buzz surrounding his scene-stealing cameo in Tropic Thunder and is now "loosely attached" (ie: the Oscar wind can blow and knock him right off) to the comedy Food Fight.
Should he remain this film's star, Cruise would play a snooty New York chef who, for some odd reason, is forced to cook in a school cafeteria. Steven Brill was originally in talks to direct the film, but they've since gone on to other candidates (one imagines Cruise wasn't too keen on working with the dude behind Without a Paddle and Drillbit Taylor). As of now, Adam Brooks (Definitely, Maybe) is attached to pen the script. Food Fight is just one of several projects Cruise is "loosely attached" to, as the world is still waiting to see what the man takes on following his stint as an eye patch-wearing Hitler assassin in Bryan Singer's upcoming Valkyrie.
"Not only might it happen, it will happen." Timothy P. Shriver, chairman of the Special Olympics, told The New York Times that he and representatives of his group and others will picket the opening of Ben Stiller's Tropic Thunder in Los Angeles on Wednesday. Reportedly, more than a dozen disabilities groups, including the National Down Syndrome Congress and the American Association of People with Disabilities, made plans over the weekend to start protesting on Monday.
Dreamworks already pulled down a promotional web site that was considered offensive a few days ago, as William Goss reported, and has altered some television advertising, but that's as far as they're going. A spokesman told the NYT : "No changes or cuts to the film will be made." Both Stiller and Dreamworks exec Stacy Snider insist they are not targeting the disabled, but the foolish ambition of certain actors. Shriver told the NYT he's asking members of Congress "for a resolution condemning what he called 'hate speech' in the movie." The film's repeated use of the term "retard" is "a particular sore point."
For personal reasons, I have a strong distaste for calling someone who's intellectually disabled a "retard" -- I think it's hateful and insensitive -- but I don't feel that a Congressional resolution or a boycot will do anything more than anger and harden the hearts of the very people who might rethink their vocabulary. To be fair, I haven't seen the movie, but Shriver and other protestors have.
If it happens, will you support the boycott? Or do you think this is another case of "political correctness" gone too far?
Welcome back to another edition of Insert Caption -- the game that brings the tropic thunder and then some! Last week we asked you to strap on a pair of those magical traveling pants and participate in a little caption-ing for a photo from the new flick The Sisterhood of the Traveling Pants 2. Note to someone: Never include a small group of pretty girls amongst a few large, orange bouncing balls. Why? Well, to our winners ...
1. "Your balls don't scare me." -- Paul P.
2. Suzie, this is an intervention. We understand that you have a problem with oversized polyps, but you can't just leave them all over the living room like this." -- Kurt P.
3. "This is what happens to the sisterhood once the pants stop fitting." -- Rifah O.
This week, it's raining madness and we're traveling into the heart of the jungle with the boys from Tropic Thunder-- a film that's absolutely hysterically insane. Ben Stiller directs and stars alongside folks like Jack Black, Robert Downey Jr. (as a black man), Jay Baruchel and Brandon T. Jackson -- all of whom play a group of actors shooting the most expensive war picture of all time. But when the real war comes a little too close for comfort, our pretend soldiers will need to get "in the sh*t" ... for realz. The folks behind our three favorite captions will helicopter away with one very awesome signed Tropic Thunder movie poster. Sound off below!
Since it doesn't open for another week, I'm not allowed to spill much about what I thought of Tropic Thunder, but suffice it to say, the laughs get off to an extra-early start with a collection of fake trailers featuring our leads as the film's stars in other projects. Along the same lines came promotional efforts that included a fake trailer for a fake making-of doc (well, the DVD will prove that one) and several websites for those characters and their movies.
One of those websites was for Ben Stiller's character, Tugg Speedman, in his high-profile bid for awards glory as a mentally disabled farmhand in Simple Jack. However, out of context, this high-concept faux-site has stirred up concern from the likes of many very real disability rights groups -- among them, the Special Olympics -- and according to Variety, the site has been pulled down in response.
The concern is fairly grounded, but it's a relatively minor kerfuffle that will damage neither the image of the represented individuals nor the performance of the film when it opens... a film which just so happens to boast a terrifically astute assessment of performances similar to Speedman's in the real industry, no part of which can stand to be repeated here and especially now.
The most exciting news from Labor Day weekend at the box-office -- traditionally a slow period -- is that America seems to have caught on to the scam that Jason Friedberg and Aaron Seltzer have been running for... what is it now? Almost three years? (I'm not counting the Scary Movie franchise, which always retained some redeeming value despite their idiocy.) Anyway, their latest travesty, Disaster Movie, opened to $6.9 million over four days, just over a third of the (nearly identical to each other) first three-day weekends for Date Movie, Epic Movie and Meet the Spartans. Could that be the end of that?
There were no big surprises at the box office this weekend. To officially ring in the fall, it was the first weekend since April when no film debuted to more than $20 million. The best opener was the tolerably-reviewed Anna Faris vehicle 
Self-serious superstar 
1. "They knew something had gone very wrong on the set of Alien 5 when, unexpectedly, Robert Downey Jr. popped out of the soldier's chest." -- Kurt P.
Whether or not you're offended by the use of the word "retard" in 
You know how they say the way to a man's heart is through food? Well, when you're an actor who's fallen from grace, then the way back into the hearts of your audience is through comedy. AND ... if you really want to go berserk, you choose a film that combines food and comedy! Wham! Welcome back to Hollywood 
"Not only might it happen, it will happen." Timothy P. Shriver, chairman of the Special Olympics, 
Since it doesn't open for another week, I'm not allowed to spill much about what I thought of 
